Friday, February 23, 2018

Joining Team Human!



I'm doing artwork for Douglas Rushkoff's awesome podcast Team Human! New trading cards every Friday, new shows every Wednesday at teamhuman.fm :)))

Wednesday, February 14, 2018

Total Burn


6th-8th July 2018

"At F23: POW! we intend to spread joy according to author 
John HiggsWonderist ManifestoWonderism is the opposite of terrorism: the promotion of random acts of wonder and joy for their own sake, spreading the strangeness and adding, however fleetingly, to the sum total of human happiness."

Tuesday, February 13, 2018

Harmon's Head - An 8 Circuit Model of Community


HARMON'S HEAD
Community & The Eight-Circuit Model of Consciousness
By Bobby Campbell
This is a model of the Dan Harmon created sitcom Community based on The Eight-Circuit Model of Consciousness, a metaphysiological construct developed by Timothy Leary and Robert Anton Wilson.

It is most certainly an imperfect mapping of the show, based on an imperfect psychological model, which cherry picks certain characteristics, and ignores others, but I found that it ends up fitting far better than I expected it to, and since the show is known for its impeccable story structure, it’s interesting to find something resembling character structure as well. For the sake of simplicity this is based on the original “Greendale Seven Study Group” incarnation of the cast.

1C. Shirley Bennett - The Oral Bio-Survival Circuit
This circuit is concerned with nourishment, physical safety, comfort and survival. This circuit is imprinted early in infancy. The imprint will normally last for life, unless it is re-imprinted by a powerful experience.
Shirley is a nurturing, morally simplistic, mother figure. She is concerned with what is “nice.” This circuit is considered the equivalent of Freud’s oral stage of development, and Shirley can be seen adhering to this role when she finds herself compulsively baking treats for the group to snack on. Her primary motivations are her three kids and her sandwich shop, both of which represent the obligations of the Oral Biosurvival role.
2C. Troy Barnes - The Emotional–Territorial Circuit
The emotional-territorial circuit is imprinted in the toddler stage. It is concerned with domination and submission, territoriality etc.
Troy is a childlike, emotional, ex high school prom king, whose character arc travels a trajectory from social domination to losing himself in deference to his relationship with Abed. He also frequently has territorial struggles with Jeff, the de facto leader of the group. This circuit is considered the equivalent of Freud’s anal stage of development, and Troy does indeed proclaim a fondness for “butt stuff.”
3C. Annie Edison - The Symbolic or Neurosemantic–Dexterity Circuit
This circuit is imprinted by human symbol systems. It is concerned with language, handling the environment, invention, calculation, prediction, building a mental "map" of the universe, physical dexterity, etc.
Annie is an exceptionally organized, intelligent, and responsible overachiever, who emerges as the most efficacious member of the group. This circuit is activated by stimulant drugs, such as caffeine and amphetamines, and so Little Annie Adderall’s pill addiction makes perfect sense in this context. Her efforts in the debate team, Model UN, the Save Greendale Committee, and her aspirations to become an FBI agent all speak to her desire to achieve agency via language and dexterity. 4C. Jeff Winger - The Domestic or Socio-Sexual Circuit
This fourth circuit is imprinted by the first orgasm-mating experiences and tribal "morals". It is concerned with sexual pleasure (instead of sexual reproduction), local definitions of "moral" and "immoral", reproduction, rearing of the young, etc. The fourth circuit concerns itself with cultural values and operating within social networks.
Jeff is a morally relative father figure to the group, which he formed accidentally after a failed subterfuge to try to get into Britta’s pants. Jeff is both a source of inspiration and mitigation for the group, which in either case is an exorcising of social control. He shows them the “right truth.”  Jeff is an expert at manipulating cultural relativism in order to create his preferred socio-political environment. Jeff enjoys the power of paternity without committing to the responsibility of actual fatherhood. 5C. Britta Perry - The Neurosomatic Circuit
This is concerned with neurological-somatic feedbacks, feeling high and blissful, somatic reprogramming, etc. It may be called the rapture circuit. When this circuit is activated, a non-conceptual feeling of well-being arises. Perceptions are judged not so much for their meaning and utility, but for their aesthetic qualities. Experience of this circuit often accompanies an hedonistic turn-on, a rapturous amusement, a detachment from the previously compulsive mechanism of the first four circuits.
Britta is a socially conscious bliss ninny. She is well versed in the aesthetics of rebellion, but her understanding of the actual issues tends to be superficial, and consequently her ideas usually annoy more than they illuminate. Britta is no stranger to altered states of consciousness, she has been shown to be a frequent pot smoker and occasional psychedelic drug user, she has seen the world from outside the first 4 conventional or “terrestrial” circuits, but hasn’t fully integrated this perspective.  This situation makes her something of an outcast, and she is consequently considered “the worst” by the rest of the group. 6C. Abed Nadir - The Metaprogramming Circuit
This circuit is concerned with re-imprinting and re-programming all earlier circuits and the relativity of “realities” perceived. This circuit consists of the nervous system becoming aware of itself.
Abed is a painfully self aware savant of media with extreme meta sensibilities. He has “medium awareness” and sees his world through the incidentally true filter of it being a TV show, and often becomes concerned with the multiversality of alternative timelines/realities.  He often uses this transcendent perspective to program the behavior of the group. Abed may be the best example of the “metaprogrammer” archetype in all of pop culture. He can be seen experimenting with altering the social dynamics of the group via simulations in his dreamatorium, or by dosing the female members of the group w/ chocolate during their periods, or by trying to directly alter the group’s reality by way of interfacing with the show’s storytelling conventions. 7C. Pierce Hawthorne - The Morphogenetic Circuit
This circuit is the connection of the individual's mind to the whole sweep of evolution and life as a whole. It is the part of consciousness that echoes the experiences of the previous generations that have brought the individual's brain-mind to its present level.
Pierce’s old age makes him both a source of wisdom and antiquated prejudice. This circuit is often described as the storehouse of collective memory, and Pierce does often act as an almost supernatural repository of information about the group. Pierce knows everyone’s secrets, and while he sometimes succumbs to villainy, he invariably uses this knowledge to induct the group into further maturation. The ideology of this circuit tends to be incorporated into a lot of new age bs, which Pierce would be perfectly comfortable with in his capacity as a Level Five Laser Lotus in his Reformed Neo Buddhist community. 8C. Dan Harmon - The Quantum Non-Local Circuit (Overmind)
The eighth circuit is concerned with quantum consciousness, non-local awareness (information from beyond ordinary space-time awareness which is limited by the speed of light), illumination.

Dan Harmon is widely considered synonymous with the show he created. So much so that the defining characteristic of the show in season 4, the one season where he wasn’t involved in its production, is his obvious absence. Although there is of course a small army of actors, writers, directors, designers, dungeon masters, and production crew members that help bring Community to life, it is the general consensus that the reality of the show is the imagination of Dan Harmon.  And if you follow along with his podcast and documentary Harmontown, it’s easy to imagine all these characters and ideas churning around in Harmon’s prodigious and self-aware mindscape. Harmon is the part of Community that emerges out of meta-fictionality and is part of a higher reality, our reality, the real world of everyday experience. In the most recent season, and perhaps series, finale, Harmon effortlessly opens the fourth wall, and the show becomes a sincere expression about his real life, and his real life becomes a natural extension of the show. The sitcom as transcendent mythology. Cool. Cool, cool, cool.

Tuesday, February 6, 2018

GUTTERSHAMAN


Cat Vincent! Living in the world!


6th-8th July 2018

"At F23: POW! we intend to spread joy according to author John HiggsWonderist ManifestoWonderism is the opposite of terrorism: the promotion of random acts of wonder and joy for their own sake, spreading the strangeness and adding, however fleetingly, to the sum total of human happiness."

Friday, February 2, 2018

General Washington

New editions of RAW's Historical Illuminatus Chronicles are coming soon from Hilaritas Press! Feat all new art by yours truly, wherein I was thoroughly in my bag :)))

Wednesday, January 31, 2018

WONDERISM


6th-8th July 2018

"At F23: POW! we intend to spread joy according to author John Higgs' Wonderist Manifesto. Wonderism is the opposite of terrorism: the promotion of random acts of wonder and joy for their own sake, spreading the strangeness and adding, however fleetingly, to the sum total of human happiness."

Beliefs Unlimited


Wednesday, January 17, 2018

Praise Caesar!

Buy this original art @weirdoverse.com!

My review notes from an advanced screening of the 2017 film War for the Planet of the Apes :)))


War for the Planet of the Apes luxuriates in its unique cinematic context, as the third installment of a very critically and commercially successful trilogy, but also as the 9th overall offering of a particularly ridiculous Hollywood film franchise. This movie has a mandate for suspension of disbelief that other films could never have, and uses it to great effect, creating a movie that is completely ludicrous, but also a wonderfully complex cultural artifact.

From its inception the Planet of the Apes movies have ostensibly been about the end of humanity, though more often than not the seriousness of that premise was hidden behind delightful rubber masks and fun sci-fi tropes. The reboot trilogy played it much more straight, but largely the first 2 films were just well executed action movies. War for the Planet of the Apes seems to have much larger ambitions, and appears to be trying to make a genuine artistic statement through the unique medium of the summer blockbuster. The film persists as a kind of pastiche of cinematic touchstones.

The first act of the film plays with the duel aesthetics of classic war & western genre films, before settling into a pretty straight forward Heart of Darkness/Apocalypse Now homage. And just in case the audience misses the references, the film hits you over the head with an actual sign post, spray painted on a wall, “ape-ocalypse now,” a jarring bit of meta-exposition that I don’t think many other movies could get away with, but here it just works, after all, it’s a Planet of the Apes movie!

"IT'S A MADHOUSE!"

Though this supposedly summer popcorn flick then takes a perilous turn towards symbolically representing some of humanity's greatest atrocities. A metaphor that at first seems far too heavy to place upon these flimsy pop culture icons, but again, somehow, they get away with it. The film piles on allegories of numerous oppressed people, so much so that eventually the specific cases give way to the general principle of dehumanization. The apes emerge as true archetypes of the other, making their eventual triumph magnificently cathartic and emotionally resonate. When the narrative journey of the film inevitably leads to the last remnants of humanity being obliterated, the climatic moment is a subtle, but interesting, emotional juxtaposition. The extinction of our species is experienced as a well deserved victory for our beloved protagonists. A conflict resolution that sends quiet ripples of cognitive dissonance through the viewers dual identification with both the main characters of this story and their own real life humanity.

The character of Caesar completes his heroic character arc, becoming a kind of Moses like mythic figure, bringing his tribe to the promised land, which then also completes a meta-contextual circle, as the story returns to its origins, waiting for Charlton Heston to come down from the sky.

War for the Planet of the Apes simultaneously functions as an action-packed-thrill-ride and as a thoughtfully constructed semiotic examination of modern humanity. Watch gun wielding apes on horseback ride boldly into battle!! As they also mostly communicate silently through subtle body language, bringing forth perhaps the most well realized representation of non-human intelligence in all of cinema.

TL;DR: As above, so below! This blockbusting story universe movie synthesizes both the higher and lower discourses, adding substance to the spectacle, and emerges as a fine example of pop culture's accelerating complexification :)))